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                 Campaigning - How to produce a newsletter 
                   You can produce simple but effective newsletters using 
                a computer, printer and word processor like Microsoft Word or 
                a simple desktop publishing package like Publisher. If you have 
                access to more sophisticated software like QuarkXpress, so much 
                the better. But keep your design simple and direct. You want to 
                communicate a message, not dazzle with brilliance. Here are some 
                guidelines for producing a newsletter.
 LayoutNewsletters follow modern newspaper design – a modular design 
                that is clean, unfussy, and easy to work with, and to follow. 
                Good newsletter design rests on a grid - a network of lines which 
                provide a skeleton for your layout. The lines are called guides 
                because although you can see and use them, they are invisible 
                and will not print out. The guides make it much easier for you 
                to structure your page and help you produce a clear layout. For 
                an A4 page use three or four columns.
 The most important story The design should be functional. It is used to guide the reader 
                through the page, to tell them what to read first, second, third. 
                How do you do this? You create a hierarchy of stories. Signal 
                the most important story (lead story) by putting the headline 
                in large type. For example, put it in bold, possibly in capitals 
                (caps), over 2 decks (lines), with a sans serif typeface (see 
                below). The most important story will probably be the longest. 
                Give this story room on the page to show that there’s no 
                question that this is the lead story.
 The next most important story (or second lead) will have a slightly 
                lighter and smaller typeface headline. Usually the second lead 
                story won’t be as long as the lead, so cut it if it’s 
                too long. The third or least important story could be just a paragraph 
                or two. To draw attention you could put the whole story in a box, 
                or rule it off. But don’t do all these things at the same 
                time, it will look fussy. PicturesIf you have an opportunity to get pictures of an event, use it. 
                Always use pictures BIG. Even if the picture stands alone without 
                a related news story, be generous with space on the page. Allow 
                for up to two thirds of the page. Sometimes a powerful picture 
                can convey far more than the words so you may want to give it 
                the whole page. Even if the picture isn’t very good, don’t 
                be mean with space. It will look even worse if you try to hide 
                it by using it small. If it is that bad, don’t use it at 
                all. The reverse rule applies to cartoons. Keep them small.
 Every picture must have a caption that says what or who it is. 
                But don’t simply describe what everyone can see in the picture. 
                It’s a chance to add colour (interest) to a story and possibly 
                new information. If there’s a picture with a story, place 
                the story with the picture - directly under or above the headline 
                or put the text next to the picture with a headline covering both. HeadlinesWhen writing a headline, read the first paragraph in the news 
                story and draw out a headline from that first paragraph. If in 
                two lines, always fill out the top line. Avoid punctuation in 
                headlines— it always looks ugly. If using a standfirst — 
                a few lines which provide a teaser, pose a question that the story 
                will answer or summarise the story — write the headline 
                first.
 Rule for rules Never more than 1pt wide rules (vertical or horizontal lines) 
                on A4. Used fine (0.5pt or hairline rules) they are a good way 
                of separating stories on a page.
 Typefaces sans serif—for heads, gives impact: bold, 
                brash, shouts at you. Arial is a common sans serif font. serif—for bodytext, 
                easier to read for smaller text in print.  The most common serif font is called Times 
                New Roman. Most printed media including newspapers, magazines 
                and books use a serif font because it makes reading large amounts 
                of small text much easier on the page. You will notice that we 
                use a sans serif font for body text on this site. That is because 
                web pages are displayed on screens, and sans serif fonts are more 
                legible in this medium. In print, keep to serif fonts like this 
                for your main blocks of body text. 
 These rules can be broken, but it is rarely more effective to 
                do so.
 ContrastIf using colour – photocopy the newsletter to see how it 
                will work in black and white. Use bold and plain text for different 
                stories sitting next to one another but avoid the use of too much 
                italic or bold in body text. If in doubt, keep text plain. Limit 
                the number of typefaces you use to no more than three.
 
 Page updated: 5 February 2010   
  
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